kalloway: Sleepy Cotton from SaGa Frontier (SaGa Cotton Snooze)
([personal profile] kalloway Jul. 3rd, 2025 10:38 am)
[community profile] sunshine_revival's first challenge is goals/plans for the month, just in time for me to actually post my monthly plans roundup. (A couple of days late, because hot.)

So here goes:

June )

July's plans are to survive being too fucking hot.

July )

There is another part to the challenge but I'll worry about that later, if at all.
Tags:
summerstorm: (Default)
([personal profile] summerstorm Jul. 3rd, 2025 02:34 pm)
Betrayed by fandom osmosis: I thought all the episodes of the last series of Taskmaster were out. Imagine my disappointment when I went looking for episode 10 and realized episode 9 had a timestamp of 5 days ago.

I started watching season 3 of the Australian version, but I kind of don't like anyone in the line-up. Maybe if I give it some time.

*

I haven't seen the last two episodes yet, but I am greatly enjoying Cloudward, Ho on Dropout.

*

Seven months after I stopped playing with my Sunday group (and roughly three after they moved to 7 PM EST and I was fully freed from thinking about rejoining them), I've come to realize how much I dreaded that game, felt judged for my choices, and did not trust the DM with a character I was deeply invested in. I still struggle with my ADHD and general social faux pas (plural) and have moments where I beat myself up or wanna crawl into a hole because I feel I was super annoying/took over too much, but I trust my DMs, I have fun, I look forward to every session. It's much freer.
beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
([personal profile] beccaelizabeth Jul. 3rd, 2025 05:24 am)
Couldn't sleep so I watched two more Doctor Who.
Cold War had me staring into space for a while afterwards because it turns out the idea of nuclear war is still a teensy tiny bit bothersome. I wasn't entirely impressed by the specifics though.
Hide was proper scary. I was watching it at four in the morning on a no sleep night so I was noticing it was proper scary and I maybe probably hadn't scheduled that well. But it is Doctor Who so it is family television scary, where you hide behind the sofa *but* it makes it okay again by the end. So it stuck the landing very well. I was pleased happy and not scared by the time it was time to turn the tele off.
I realised though that the technique it used, finally giving us a good look at them and a happy enough ending, was quite a lot of what I found unimpressive in Cold War. I disliked their design for the insides of the suit, so I felt it detracted from the episode. But pulling the scary away and showing us the person is the actual proper point of both of those. So I am enlightened.

Not exactly sleepy still but I'll have another go.
Tags:
The whole Diddy thing. It doesn't matter how much proof there is.

Brad Pitt, who is known to have struck his wife and his children then perpetuated lawfare on them for years to the point where several of his kids no longer want contact with him, has the number one movie right now. Best opening weekend of his career. Most of the coverage doesn't even mention the violence.

On the anniversary of Tortoise Media publishing allegations of rape and sexual assault against Neil Gaiman, Netflix is dropping season two of The Sandman. Meanwhile, Gaiman is forcing one of his victims into arbitration. Not because she's libling him, but because she broke an NDA. Everything's gone very quiet, which I assume is what he wanted.

Some thoughts from smarter people:

Rebecca Solnit: Cynicism Is the Enemy of Action.

Tarana Burke: Tarana Burke doesn’t define #MeToo’s success by society’s failure.
Some people want to judge the movement on specific outcomes, so when a case is overturned, Burke said, “people are like, ‘Oh the #MeToo movement has failed.’” Instead, she said, such outcomes are proof of the difficulty of the work.

“It’s not about the failure of the movement; it’s the failure of the systems,” Burke explained. “These systems are not designed to help survivors, they’re not designed to give us justice, they’re not designed to end sexual violence.”

“When we bind ourselves to the outcomes of these cases, we are constantly up and down with our disappointment, our highs and lows,” Burke continued. “What they tell us is just how much work we need to change the laws and the policies but most importantly, to change the culture that creates the people who commit, who perpetrate acts of harm.”
You know that feeling where you're enjoying inhabiting a book so much you don't want to reach the end? This week I finished The Witness for the Dead by Katherine Addison, and that's how I felt.
 
Witness is a companion novel to Addison's breakout novel, The Goblin Emperor (TGE), which I read for the first time last year and never got around to reviewing. You don't need to have read TGE to enjoy this one at all; Witness focuses on a minor character from TGE and his adventures after the events of that novel. Thara Celehar is a prelate of the god Ulis, and his role in elven society is something like a cross between a priest and a private detective. He has the ability to commune, in a limited fashion, with the dead, and he is employed by the city to provide this service to the people. This may involve reporting a deceased's last thoughts to a mourner, asking a deceased to clarify a point on their will, or seeking answers from a murder victim to bring their killer to justice.
 
Witness doesn't precisely employ a "case of the week" formula, but it does cover a few, sometimes overlapping, cases of Thara's with an ongoing murder investigation as the slow-burning thread tying the rest together. 
 
Once again, Addison draws us into the complex politics of the realm she's created, and I do delight in that sort of thing. Thara tries very hard to avoid getting involved in anything that smacks of politics, but many more powerful players around him are keen to turn him into a political statement, forcing him to consider everything he does from about ten angles. 
 
The murder investigation centers on a dead opera singer found early in the novel, and this allows Addison to dig into the artistic scene of the city of Amalo as well, which provides some very interesting worldbuilding opportunities. Hearing about how Amalo runs its art scene, what sorts of things they have chosen to commit to the stage, and what the reception to those things is tells us so much about this society. It's a perspective quite removed from TGE, where the focus was on the highest echelons of Ethuverez's nobility, and taken together gives us a relatively well-rounded look at Addison's world.
 
Thara makes for such an easy protagonist to root for. He's genuinely dedicated to his job, which he refers to as his calling, and always tries to do the right thing. This was a particularly refreshing perspective after my last audiobook, Sundial, and its cadre of people doing terrible things to each other all the time! He's soft-spoken, understated, and wants above all to do right by the trust that his clients place in him, and I loved following him around Amalo at work (I also really enjoyed the voice the narrator used for him).
 
The writing flows very well. Addison shifts to a first-person perspective here, which brings us more intimately both into Amalo and into Thara's work as he speaks directly to the reader about what he's doing. Addison has a talent for long, graceful sentences that provide wonderfully vivid looks at the characters around her protagonist. Listening to them all unfold was great entertainment!
 
As I was drawing near the end, I tried to articulate what it was about Witness and TGE's world I found so pleasant to engage with, and I think it's the sense that Addison's narrative rewards goodness. I mentioned above how hard Thara works to do the right thing, to be patient, to be kind, to stay out of power politics—and as with Maia in TGE, it feels that in some small ways, he is rewarded for that effort. Or at the least, he isn't punished for it. On a shelf full of edgy dark fantasy where cynicism is survival (and I enjoy those too!), it was comforting to inhabit a story where, for the most part, I did not expect Thara's kindness to be repaid with a knife in the back. He may miss out on some  things-- as a dedicated prelate trying to stay off the political scene, he lives in relative poverty and has few resources at his disposal, and his political dodging mean he has few powerful allies on his side—but he chooses to accept this and is content with the ability to pursue his calling.
 
On the whole, I really enjoyed The Witness for the Dead, and I do plan to read the other two books in this series. I may pick up a hard copy of this to go with my TGE copy. Well done Ms. Addison!

Crossposted to [community profile] books 

isis: (charlie prince)
([personal profile] isis Jul. 2nd, 2025 06:17 pm)
What I've recently finished reading:

Lamentation by C.J. Sansom, the 6th Shardlake novel. This is all about the heresy hunts in the last few years before Henry VIII's death - one faction wanted to go back towards Catholicism, one wanted a radical re-imagining of religion and social structures, and if you wanted to stay in the regime's good graces, you walked the narrow path of "the King is the divinely ordained leader of the Church, and whatever he says goes." Warning for historical burning of heretics, plus canon-typical violence; also for weird religion and contentious legal cases. Matthew Shardlake still has a crush on the queen (Katherine Parr).

What I'm reading now:

My hold on Katherine Addison's The Tomb of Dragons came in, so that. Just barely started.

What I recently finished watching:

American Primeval, which, huh, I've never before encountered media in which the Mormons are the bad guys. (This is not a spoiler. It's pretty clear from the get-go, but it gets more pointed and cartoon-villainy toward the end.) Definitely violent and gory, though also it felt very clearly written to Tug The Heart Strings (and then, often, deliberately kill the character it's just tried to make you care about) at which at least for me it failed to do. I liked Abish, Two Moons, and Captain Edwin Dellinger, and James Bridger amused the hell out of me, but - I mostly enjoyed it, but I don't feel it was superlative. I got tired of the filter to wash out colors so it looked almost old-photo sepia.

I did enjoy the historical setting of the Mormon War; as I mentioned last time, I researched it for my Yuletide story, and I think it's just an interesting time, the settlement/colonization of western North America.

What I'm about to start watching:

Murderbot! We always wait until enough episodes are out that we can watch ~every other day and not have to wait.

What I'm playing now:

Lorelei and the Laser Eyes, which was recommended to me as a "spooky atmospheric puzzle game", and I'm enjoying it a lot. You play as a mysterious woman who has come to a mysterious hotel full of locked doors in what might be Germany in 1963, at the request of a mysterious man for reasons of ??? I told my brother about it because it's cheap in the summer sale at Steam, and he decided it sounded good so he is playing it now, a bit behind my progress but because of the nonlinearity he's ahead of me in some things. We're trying to give each other elliptical hints when needed.
casey28: (angel 4th of july)
([personal profile] casey28 posting in [community profile] icons Jul. 2nd, 2025 04:57 pm)
casey28 4th-1-2025.jpg casey28 4th-2-2025.jpg casey28 4th-3-2025.jpg

More icons here at [personal profile] casey28
kaberett: Trans symbol with Swiss Army knife tools at other positions around the central circle. (Default)
([personal profile] kaberett Jul. 2nd, 2025 11:22 pm)

(Yeah I'm struggling with the ukpol news at the moment, and feeling especially bleak about this FOI response in particular. Maybe I will manage to pull together a post of useful "please write to your MP about the UC/PIP bill" tomorrow, given I've got them all open in tabs to do so anyway.)

Read more... )

sakana17: zhu yilong and bai yu on the set of guardian (zhubai-yohe-bts)
([personal profile] sakana17 Jul. 2nd, 2025 02:35 pm)
I'd mentioned to [personal profile] mumblemumble making desktop wallpaper calendars from Zhu Yilong & Bai Yu photos, and to commemorate my 6th Guardianniversary here's a little picspam of what they have looked like.

Years 2020-2025 )
***

Title: like what you (don't) see
Author:[personal profile] kat_lair
Fandom: K.A.R.D.
Pairing: Matthew Kim | BM/Kim Taehyung | J.Seph, Kim Taehyung | J.Seph/Original Male Character(s)
Tags: Ficlet, Canon Compliant, Jealousy, Denial of Feelings
Rating: G 
Word count: 720

Summary: “He’s looking at you,” Matthew murmurs under the guise of bending down to hand over a bottle of water.

Author notes: 
I was looking for a prompt to write something for the first challenge of [community profile] sunshine_revival and then K.A.R.D. dropped Touch. And listen, they know what their target audience (the thirsty bis and pans) want and keep them well fed. I've been low key wanting more fic for this pairing and the MV gave me this brief frame at 2.09 where the (very hot) dancer looks like he's checking Taehyung out and... Well. Longer fic has been written on a flimsier premise. Unbetaed so if you spot a typo you absolutely should tell me about it.

like what you (don't) see on AO3

like what you (don't) see )

***

rachelmanija: (Books: old)
([personal profile] rachelmanija Jul. 2nd, 2025 01:39 pm)


In a prologue that's very Terry Pratchett-esque without actually being funny, an enormous floating tower appears in England, becomes a 12-hour wonder, and is then forgotten as people have short attention spans. Then thirteen random people suddenly vanish from their lives and appear at the base of the tower, facing the command ASCEND.

I normally love stories about people dealing with inexplicable alien architecture. This was the most boring and unimaginative version of that idea I've ever read. Each level is a death trap based on something in one of their minds - a video game, The Poseidon Adventure, an old home - but less interesting than that sounds. The action was repetitive, the characters were paper-thin, and one, an already-dated influencer, was actively painful to read:

Time to give her the Alpha Male rizzzzzzz, baby!

The ending was, unsurprisingly, also a cliche.

Read more... )
yarnofariadne: a dark-haired woman wearing a black witch's hat with her face up next to a black and white cat, who looks up at her curiously. (misc: howlin' to the moonlight)
([personal profile] yarnofariadne posting in [community profile] yarnofariadne_writes Jul. 2nd, 2025 08:09 pm)
Sorry for the double-post; I'm keeping these separate to enter the previous post in the Ko-fi July Challenge.

The July edition of the monthly newsletter is now up for supporters on Patreon and Ko-fi. This month, I staked too much of my emotional well-being into some pigeons, rounded up some links in the cabinet of curiosities, and introduced my new goblin son. The newsletter goes up early for supporters, and on the 8th for everyone else.
Tags:
yarnofariadne: on a stone tile road, two cats beneath a clear plastic umbrella resting on the ground. (misc: beneath the milky twilight)
([personal profile] yarnofariadne posting in [community profile] yarnofariadne_writes Jul. 2nd, 2025 07:52 pm)
a brown-toned photo of the Hollywood hills, with sparse dark brush dotting the hills. The large white Hollywood letters are visible on the distant hill. Text reads: Behind the Scenes, Hollywood Gods.


Every month, Phantom-tier supporters get a look behind the scenes at the status of all my current projects, plus a sneak peek at what's in the pipeline. I've also been sharing snippets of the first draft of the Hollywood Gods WIP as I write it! You can join on Ko-fi to get more progress reports, as well as discounts on ebooks in my shop and bonus content for Ether & Ichor podcast (when the new season is released).

The latest behind the scenes post is here and you can become a member here.
beccaelizabeth: my Watcher tattoo in blue, plus Be in red Buffy style font (Default)
([personal profile] beccaelizabeth Jul. 2nd, 2025 06:09 pm)
Today the weather is Much Better, and I could go for a Nice Walk in the light rain and nice temperatures.
The rain appears to have stopped while I had a nap but the temperature remains.
I hope there is a decent amount of rain soon because the Ducks were in substantially less Pond than is traditional. They had a duck exclusive mud beach. Pond was still present but it looked, like, concentrated, or possibly stewed. That seems less than ideal for the ducks.

I have been watching more Doctor Who and have started on 11 and Clara, and I am ... actually sort of creeped out by how little of these I remember. Couple of images, major plot point, funny bit, but not the actual episodes. Which, great, I get new again Doctor Who, and these are solid stories. But, this is not how my brain usually works and it feels. Bad.

But plus point, I continue to enjoy Doctor Who.
I liked singing and storytelling as a solution.
And evil wifi as a problem, when the problem is connecting to strange networks. Modern fairy tale don't go in the woods.

Leaving my windows open is only having moderate impact on indoor temperatures so the specifically my flat bit of the world is still slightly having a heatwave.

But I quite like sitting in front of the fan watching Doctor Who, so that works out okays.
lirazel: Dami from Dreamcatcher reading ([music] you and i)
([personal profile] lirazel Jul. 2nd, 2025 12:34 pm)
Catching up for two weeks! I've read a lot of fanfic lately, so I've been reading fewer books than usual.

What I finished:

+ The Last Battle by C.S. Lewis. My Narnia reread is complete!

I'd been dreading this one and kind of putting it off, but on reread it's not actually all that bad? To me anyway--I totally get why other people hate it. I am not saying that it's good, but it's also not unreadable.

The problem is that Lewis has created this story entirely to serve the needs of his theological assertions, which makes for bad storytelling and worse worldbuilding. Preaching through fiction is always a bad idea because a story that exists to moralize is not going to be a good story. When, in previous books, Lewis sprinkled his theology throughout the stories, it was more or less fine--the story of a king who dies for the good of his people is a universal story, etc. You could always read the books literally as well as as analogy. Here, though, the theology takes over the narrative completely--there is no way to read this book on a literal level because just about every choice is made from the perspective not of a storyteller but of a preacher.

Plus, if you disagree with his theology, you're just going to be pissed off. I disagree with some of his theology myself, but I am much less pissed off than most because of my background. His particular brand of Christianity is very different than the white American evangelical kind I was raised in, for all those people have co-opted him. You have to understand how much gentler this view of soteriology is than the one I was surrounded with--Lewis embraces the idea of the virtuous pagan, for one thing, which is NOT a given in evangelical world. And perhaps more important, those who don't make it to heaven just cease to exist instead of being tortured for eternity. I realize this is probably hard for people who didn't grow up like I did to understand, but these ideas are significantly gentler than the evangelical view of hell. So when I encountered them as a kid, they felt freeing in a way I can't articulate. Between Lewis and Madeleine L'Engle, I had two Anglican fiction and nonfiction writers who had a more expansive view of God and life than I had been presented with, and they were lifelines to me.

So yeah, I don't hate this book, I just find it annoying and Not Good. I do like that we get more Eustace and Jill since they are my favorite of the characters from our world. I think it's kind of cool that we get to see Narnia from its first day to its last. Shift is a really good villain--not as good as Uncle Andrew, maybe, but Lewis knows how to write someone who is inherently selfish, and the early chapters with Shift and Puzzle are actually a fantastic depiction of an abusive friend dynamic. Lewis is really good at human foibles, the narratives we use to justify ourselves, etc.

I do not feel the need to ever read this one again but I'm glad I reacquainted myself with it as an adult so that I could decide how I feel about it.

+ Bottled and Sold: The Story Behind Our Obsession with Bottled Water by Peter H. Gleick. This book is quite dated in statistics and things--I think it came out in 2010--but the central problem is, of course, still with us. This is a book that confirmed my belief that bottled water is problem: it is, of course, a lifeline for people in areas that don't have potable public water, and I am glad it exists. But it's ubiquity is indefensible in places that do, particularly in the US (places like Flint aside).

You can probably imagine the contents of this book: bottled water in the US is much less regulated than public water, therefore we don't know whether it's safe or not; it is not necessary in places that have clean public water; bottled water companies steal water from communities, destroying ecosystems; they prey on our fears; there's an industry (which I am 1000% confident has grown substantially since the time the book was published) of woo-y health grifters who sell special super waters, and these people are almost never stopped by authorities; and then there's the plastic. It's nice to see it all laid out clearly, though. And I also appreciate a book that is, really, a reminder that regulations are Good Actually.

So yeah, a worthwhile read.

+ Girl on Girl: How Pop Culture Turned a Generation of Women Against Themselves by Sophie Gilbert.

YIKES!!!!!! Gilbert deep-dives in pop culture depictions of and messages to and about women from, roughly, the late 90s to the mid-2010s, visiting topics like the way the powerful female musical artists of the 1990s were replaced by girls who couldn't stand up for themselves; the way the same thing happened in fashion with the powerful supermodels of the 1980s and early 1990s being replaced by, again, girls who couldn't stand up for themselves; depictions of women and femininity in reality TV; the way movies shifted from romcoms that centered female stories to bro comedies that hated and/or erased women; the era of Us Weekly, TMZ, and Perez Hilton and the way it ate female celebrities alive; and the #girlboss and Lean In eras. She keeps a Susan Faludi "backlash comes in waves" perspective on the whole thing.

There's also a lot about the pornification of culture--I really appreciated the nuance with which Gilbert handled this topic because I agree with her. Pornography, in the sense of art that exists to titillate and turn-on, is not a bad thing in itself and there are plenty of people who are out there creating and enjoying it in completely unobjectionable ways. But they're a minority: porn culture is hugely misogynistic, and the vast majority of porn that exists (often free of charge and disturbingly easy for children to stumble on) is hateful, violent, cruel, and racist. Gilbert worries, as do I, about how boys (and some girls) are getting their entire sexual education from these sources; porn provides a narrative of how to relate to sex and to women that is frankly terrifying. I think this is a huge problem that is very difficult to talk about, because most people who are talking about porn in negative ways are doing it from an anti-sex pov, often religious, and I think their criticisms are wrong. Again, I really appreciated how Gilbert talked all of this.

Overall, Gilbert is insightful, compassionate, clear-eyed, and accessible. This is a very well-written book by a very good writer, and I recommend it, whether as a book or, as I read it, an audiobook read by the author. It depressed the hell out of me, but it also reminded me of how resilient and strong and creative women are.

What I'm reading now:

A Lonely Death, the next Ian Rutledge mystery by Charles Todd.
.

Profile

kaizoku: (Default)
kaizoku

Most Popular Tags

Powered by Dreamwidth Studios

Style Credit

Expand Cut Tags

No cut tags